Their versatility leaves you a lot of option in the mix. Both engineers and drummers love them for their seemingly “ease of sound” – and they’re as much a delight to record as they are to play. Their legendary six ply, rock-maple shell construction gives them a crisp balance and warm tone that makes them a desirable component of an good rhythm track.
They would be at home in almost any musical style or genre. Simply put, these drums drip with versatility. Toontrack EZX2 - Made of Metal 1.55 GB Toontrack EZdrummer EZX Metalheads HYBRID DVDR-AiRISO 620 MB Toontrack EZdrummer EZX Metalheads HYBRID DVDR-AiRISO. Given the vibe and sound we were trying to capture with this recording, we knew we had have an original Camco * instrument as part of the session. Suffice to say, their impact on the seventies music scene can’t be overstated. The limited but successful existence of the original Camco * drum company is the stuff of drum legend. There is a natural enhanced attack present in the sound of these drums as a result of the shell composition, which adds to the overall clarity of sound.This is essential for cutting through dense mixes while maintaining a full, natural drum sound. When coupled with that big room in Studio A, what you get is a very big, clear sounding instrument.
Fiberglass resonates considerably – it has a natural sustain to it that wooden shells generally do not have. The fiberglass shell, combined with the larger sizes gives the kit a lot of natural volume. This is a one-of-a kind instrument built by a master craftsman…so recording this didn’t take much convincing at all.īuilt from fiberglass shells, this kit had the same size set up and configuration of the set Buddy was playing throughout the ’70s during a time in his career where he had added many pop and rock “standards” to his live big band performances. When I contacted Mark about possibly using some of his drums for this session, he told me about his “Buddy kit” – a replica he built of the Slingerland * drum set that Buddy Rich was playing in the ’70s. His resume reads like a who’s who of A-list drummers that will make your head spin. Mark Arnold is a very well respected drum technician, drum builder and drum collector in Nashville TN. The EZX includes three fundamentally different kits: a bombastic-sounding, one-of-a-kind replica of Buddy Rich’s ’70s-era Slingerland * as well as two different renditions of a mid-‘70s Camco * – one with standard drum heads and one with toweled.Īll this, coupled with the powerful framework of EZdrummer 2, will give you an unprecedented sonic palette to help craft your ’70s-inspired rock for years to come. Today, restored to practically a museum of pristine 1970s recording gear, it serves as a training academy for Belmont University. The recording sessions were held at the Columbia Studio A in Nashville, one of the world’s most famed recording studios. The Seventies Rock EZX sets out to capture that scope – from the farthest end of epic, earth-shattering and reverberant down to classic, dampened and low-key. Still, both sounds were very much products attributed to the advances of recording technology.
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On the opposite end, acts like the Eagles and Fleetwood Mac took on a noticeably more polished production suit. On one end of the scale, bands like Led Zeppelin and The Who not only paved way for a new breed of loud, beat-driven rock – but also revitalized the drum hero of the jazz age and introduced a never-before-heard sonic ideal of big, massively saturated drums.
Together with the included presets, the Progressive EZX gives you an unparalleled palette of meticulously recorded, richly textured drum sounds tailored for metal or heavy rock.The 1970s rock scene was one of diversity and constant reinvention. The drums, which were sampled by Karnivool�s own Steve Judd, include carefully selected kits from DW, Ludwig and Pearl. Combined with the dense wood-lined walls in its perfectly balanced A-room, Sing Sing has proven time and time again to be the perfect environment for broad, transparent drum recording. During its more than 35 years in business, the studio has collected a vast selection of top tier microphones and rare outboard gear. The drums were captured at the Sing Sing Recording Studios in Melbourne, Australia. With credits on defining albums by bands like Karnivool, Dead Letter Circus and I Am Giant, Savell has shaped a few of the most sonically progressive productions in the modern Australian metal and heavy rock scene. It comes with three complete kits recorded by engineer/producer Forrester Savell. The Progressive EZX features a custom selection of content from The Progressive Foundry SDX for Superior Drummer 2.
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